June 17, 2009


Sauvignon Blanc Emerges from Chardonnay's Shadow

Long languishing in the shadow of chardonnay, sauvignon blanc - the crisp, refreshing, food-friendly wine with a citrusy, herbaceous character - is better than ever.

California
2003 Dry Creek Vineyard "Fume" Sonoma ($15)
2007 Markham Napa Valley ($17)
2008 Hanna Russian River Valley ($19)
2008 Winery at Holy Cross Abbey Reserve ($19)
2008 Sauvignon Republic Russian River Valley ($20)
2003 Kendall-Jackson Grand Reserve ($20)
2003 Dry Creek Vineyard Estate "Fume" DCV3 ($25)
2003 Dry Creek Vineyard Taylor's Vineyard Musque ($25)
2007 Duckhorn Napa Valley ($27)
2007 Flora Springs Soliloquy ($27)
2003 Mayacamas Mount Veeder ($30)
2003 Grgich Hills Napa Valley "Fume" ($30)
2007 Joseph Phelps St. Helena ($32)

California Blends
2007 Hayman & Hill Interchange ($15)
2007 Beringer Alluvium ($17)
2007 Bennet Lane Maximus ($28)

New Zealand (Marlborough)
2008 New Harbor ($11)
2007 Wairu River ($19)
2008 Long Boat ($20)
2008 Matua Valley ($10)
2008 Sauvignon Republic ($20)

South Africa (Stellenbosch)
2008 Sauvignon Republic ($20)

Chile
2008 Louis Felipe Edwards Reserva ($10)
2008 Valdevieso ($10)
2008 Veramonte ($11)
2008 Casablanca Nimbus ($12)
2008 MontGras Reserva ($12)
2007 Penalolen ($12)
2008 Alcance ($15)

April 24, 2009


Eco-Friendly Wines

These days wine consumers concerned about the environment find it easier to do their part to reduce the pollution, carbon footprint, greenhouse gas emissions and fuel consumption associated with their wine purchases. More wineries and vineyards are employing various sustainable practices every day. These can include organic/biodynamic viticulture and practices that promote social equity, community involvement, energy efficiency, pest management, air quality, water quality and conservation. There even is a healthy debate going on over which is greener: cork or screw cap, bottle or box. But that’s another column for another time.In recognition of the increasing emphasis on the Green Economy and in honor of the just passed Earth Day, here are a few winery efforts that have caught my attention recently.

Fetzer arguably is the pioneer of sustainable practices and business social responsibility in Califonia’s wine industry. A wide range of programs aimed at sustainability in the vineyard, the winery and the throughout the corporation, today include a large solar array, lighter weight glass in wine bottles, a zero waste recycling and waste management, energy and water conservation, community involvement, and outreach in the wine industry to share best practices. Its Bonterra wines are produced from organic grapes and occasionally biodynamic grapes. One of the leaders of the Fetzer program for most of its years, Paul Dolan now has carried that ethic with him to Parducci Wine Cellars. Some examples of what he and his partners are doing at Parducci: a commitment to business social responsibility, reclaiming 100% of the water used in the cellars, using 100% green power and earth-friendly packaging, and sharing ideas with the industry through The Green Winegrowing Handbook. In recognition of such work Parducci has received awards for becoming the nation’s first carbon neutral winery and for its work on climate change issues.

Oregon’s wine industry as a whole has been in the foerfront of sustainable practices and Cooper Mountain Vineyards has been a leader especially in biodynamic and organic wines. Its vineyards have attained organic and Biodynamic certification and the winery is certified organic for operations and processing. And is the first U.S. winery to gain label approval for a no-sulfite-added wine under the new National Organic Program standards. Cooper Mountain also understands that the wine industry is one of the first industries that will be affected by global warming. Consequently, the winery is working to reduce its greenhouse gas emissions to zero by early 2009.

Value brand Glen Ellen recently replaced its 187 ml single serving glass bottles with 250 ml Tetra Paks, a convenient carton that protects freshness and eliminates the possibility of cork taint and offer significant energy savings in production, transportation and storage, reducing greenhouse gases and saving fuel. Easy to open and reseal, portable, lightweight, and resistant to breakage, they are perfect for picnics and parties. Cuvaison in the Napa Valley has long been a leader in sustainability. Its Carneros winery now uses a solar system and they minimize the use of synthetic and carbon-based inputs in its farming. Now the company is working with ReCORK America to plant up to 1,000 corks in threatened habitats of Portugal’s cork oak forests. For more information about ReCORK America, especially their program focused on obtaining used and surplus corks from winery tasting rooms, bottling lines, retailers, restaurants, and quality assurance laboratories, visit their Web site at www.recorkamerica.com.

J. Lohr Vineyards recently unveiled a huge solar tracking array designed to offset 75% of the winery’s energy usage at its Paso Robles operations. This is added to the company’s program of sustainable winegrowing and winemaking practices, including utilization of organic soil amendments, limited use of chemicals, erosion control, water conservation, extensive pomace composting and materials recycling. Check out wines from the Niven family – Baileyana, Tangent, and Edna Valley Vineyard – whose Paragon and Firepeak vineyards, both in the Edna Valley on California's South Central Coast, recently earned the Sustainability in Practice certification for their collective commitment to environmental stewardship, economic viability, and equitable treatment of employees. Areas addressed to earn the certification include biodiversity, social equity, community involvement, energy efficiency, pest management, air quality, water quality and conservation, and practices that reduce risk. Cap your evening with Terra Bella ($23), the world’s first certified organic Port, developed by Fonseca, one of the most esteemed Port houses and one of the first to develop organic viticultural methods in the Douro.

February 20, 2009

Search off the beaten path to stretch your wine budget

To stretch your wine dollars, look to traditionally lesser-known regions.

Wines from southern France long have lived in the shadow of their more famous cousins, Bordeaux and Burgundy. Cotes-du-Rhone (syrah, Grenache) and Cote du Ventoux (syrah, Grenache) in the southeast are perennial value standards, but Cahors (malbec) in the southwest often is a nice surprise.

For Italy, the action mostly is in the south, especially Abruzzo, Molise, Puglia and Sicily.

The most interesting wines are made from indigenous red grapes, including montepulciano, negroamaro, primitivo, malvasia nera and nero d'avola, and white grapes such as grillo and moscato.

In Spain, the sparkling Cava from the Penedes region beats just about everyone else in the bubbly world for value.

We all know about the phenomenon that is modern Australian wine, but few of us know that good values are emerging from the small island of Tasmania.

Portugal is undergoing a renaissance in its table wines, with quality from red grapes otherwise used for Port soaring.

January 27, 2009


The Temecula Valley

My niece, Cari, is my idea of a wine aficionado. She not only is knowledgeable about a wide range of wines and wine regions, she also is passionate about all aspects of wine. And she is especially knowledgeable and enthusiastic about her home wine region, the Temecula Valley. So much so she has been begging my family and I to come visit her for several years now. Of course, she's wanted to see us, but I know she also has been anxious to show me the Temecula Valley.

The Temecula Valley is southern California's wine country. The first thing I noticed about the valley was its rather convenient location for tourist visits, being close to the suburban housing developments nearby. It also is just 60 miles northeast of San Diego and 90 miles southeast of LA. If you are taking your kids to nearby Legoland, visiting friends in the area or just want a wine country experience other than Napa and Sonoma, the Temecula Valley is a worthy option.

Head east from I-15 on Rancho California Road, which becomes the valley's main drag (sort of like what Highway 29 is for Napa Valley). You can expect to find a wine country experience similar to that of any larger, better know region. Among the 30+ wineries, there are small, family wineries and larger, modern wineries. Several feature restaurants, well-stocked gift shops and facilities for special events, and many tasting rooms offer discounts for veterans.

As for the vineyards, the valley struck me as a region with more similarity in terrain, soil and climate than I have seen in other regions I have visited. Most vineyards sit at a fairly high elevation, 1100-1600 feet. Although there is some variation, the soils are largely decomposed granite. The climate features warm, dry days and cool evenings. Although separated from the Pacific Ocean by the Santa Rosa Range, the Rainbow Gap funnels the moderating ocean breezes into the valley.

Traveling on Rancho California Road, one of the first wineries you will see as you enter the valley is Hart Winery. Joe Travis, Nancy Hart and their three sons began planting vineyards in 1974 and added the winery in 1980. This small, family operation has the feel of a place that hasn't changed much in the last 30 years. That's a good thing - the rustic barn-like winery recedes to leave the emphasis on the wide range of wines.

A short distance up the Road, John Poole established Mount Palomar Winery's first vineyards also in 1969 and began making his own wine in 1975. His son, Peter, took over operation in 1985. Today, Mount Palomar includes an estate comprised of vineyards, a large piazza, concert stage, and terraces plus the winery and visitor's center. The wines emphasize Bordeaux style blends and Italian varieties (bottled under the Castelletto name).

Across the road, Faulkner Winery is located high on a hill with a spectacular view overlooking the Valley. Ray and Loretta Falkner left corporate careers to establish the property in 2000. A showcase winery, with extensive inside and outside tasting areas, wedding and banquet facilities are available. The focus here is on blended wines, including Super Tuscan Style and Bordeaux Style red blends.

Expect an even more impressive tourist attraction winery is the Ponte Family Estate. It was conceived and built by Ponte brothers Roberto and Claudio, grape growers in Temecula since 1984. A large tasting room-market-gift shop greets the visitor. We also enjoyed a fine, elegant lunch at the outdoor Smokehouse Restaurant. A bit off the beaten path, at the far end of Rancho California Road, Doffo Winery is worth the extra effort. Marcelo Doffo purchased the property in 1997. From the road it looked like another nice home with a large garage. Inside, though, the hospitable Doffo family busily attended to their customers need.

Two of the best wineries we visited were located completely off the main road. Cougar Vineyards and Winery (purchased in 2005) is the culmination of what started as a hobby for Rick and Jennifer Buffington 16 years ago. The small production focuses primarily on Italian varietals. Nicholas and Cindy Palumbo purchased what is now Palumbo Family Vineyards and Winery in1998. Another small, family run winery, the Palumbo's are committed to small lot, handcrafted wines from varieties that are grown only on the property. Specializing in full-bodied reds, the estate-grown and produced offerings include both single variety bottlings as well as a few special blends.

There is much more to the valley than we could cover in two days, including a full-fledged resort and a few large, commercial wineries, like Callaway Vineyard and Winery (think the golf equipment company of the same name). Having pioneered wine production in the valley in 1969, Callaway has become the valley's largest, best known and most widely distributed producer. But Cari and I agreed that the smaller, family-owned operations are our preference. Callaway's Sweet Nancy certainly is a fine dessert but the other highlights all came from family wineries: Hart's full flavored 2007 Sauvignon Blanc, Mt. Palomar's Solera Cream Sherry, Ponte's 2006 Dolcetto, Doffo's 2005 Syrah and 2005 Mistura (cabernet/syrah), Cougar's 2006 Aglianico and 2006 Malbec, and Palumbo's 2005 Cabernet Franc Catfish Vineyard and "Tre Fratelli" (Bordeaux blend).

After a setback in the 1990s when its vineyard sources were ravaged by Pierce's Disease and vineyard acreage fell from 2,300 to 1,300 acres, the valley seems to have largely recovered and should benefit from the replanting that has followed. Many producers are getting especially good results with Rhone and Italian varietals. The Temecula Valley looks poised for a fine future. I look forward to tracking its progress.

For information on Temecula Valley, the winegrowers' association, and travel information, check out http://www.temeculawines.org/.

For winery details and to shop for Temecula wines, go to http://www.shoptemeculawines.com/.

January 03, 2009

Here’s a Toast to the Best of the Rest

Wondering what to do with that gift card for your local wine shop? It'll be a nice treat to pick up something really good to save for a special occasion. Red or white, look down this column for some surefire options. These are the best wines I tasted this year that I haven't already reviewed. If you really want to splurge, you can't do much better than the 2005 Joseph Phelps "Insignia" Napa Valley ($200). This is the 34th vintage of this iconic Bordeaux-style blend. While previous years have included more merlot and malbec, this one sports 92 percent cabernet sauvignon with just a touch of petite verdot and merlot. It is a wine that puts power and luxury all in balance.

While we're on to Bordeaux-style blends, there are two more fine examples, and at especially attractive prices. The 2004 Rodney Strong "Symmetry" Alexander Valley ($55) is an elegant blend of 71 percent cabernet sauvignon with herbal, chocolate and tobacco notes from additions of merlot, malbec and petite verdot. Barb and Bart O'Brien established their winery just a few years ago when they purchased a vineyard in the Oak Knoll district in California's southern Napa Valley. Their 2004 O'Brien "Seduction" ($36) is mostly cabernet sauvignon with dollops of merlot and malbec. It is rich with juicy fruit complimented by cocoa and tobacco hints.

If you want to go flat out for a good, solid Napa Valley cabernet, I've got some fine choices. From a small family winery, the 2005 Sequoia Grove Napa Valley ($36) uses grapes including Rutherford and Oakville to produce a well-knit wine with luscious oak aromas and rich chocolate flavors. Even more impressive is the 2004 Rutherford Bench Reserve ($55). Abundant fruit is wrapped in creamy oak, delivered in a broad, plump texture. Former Hollywood executive Rich Frank oversees one of Napa Valley's most hospitable wineries, where tasting is free and wines are really good. The 2004 Frank Family Rutherford Reserve ($85) uses grapes from Frank's Winston Hill Vineyard on the east side of the valley. It is a large-scale wine with woodsy and mineral notes and strong tannins.

Another surefire option is Washington's Leonetti Cellar, which celebrates its 30th anniversary with these fine releases. The blend of 63 percent cabernet sauvignon, 13 percent merlot and 17 percent petite verdot for the 2005 Reserve Walla Walla Valley ($125) yields a dense, dark, complex, structured wine. The 2005 Cabernet Sauvignon Walla Walla Valley ($80) is a classic, sharply defined cabernet with herbal and minty notes in a polished frame. The 2006 Merlot Columbia Valley ($65) is no ordinary merlot. This one is concentrated with pure, fresh fruit, toasty oak and floral notes. The wines may prove hard to find but they are worth the effort.

For a little variety, look to Parducci, the oldest winery in Mendocino that today is owned by Paul Dolan (formerly of Fetzer). The 2005 "True Grit" petite sirah ($30) is a tribute to the determination of the immigrant farmers who first planted the vineyards. Fresh fruit with mineral hints and powerful tannins make for a wine that is delicious now but should drink well for years.

Chardonnay drinkers should look to Monterey, Calif.-based Pessagno Winery, which specializes in pinot noir and chardonnay from the region's best vineyards. I recommended some of the pinot noir choices in a previous column, and these chardonnays are great complements. The 2005 "Intrinity" Santa Lucia Highlands ($45) is essentially a reserve with lavish oak and luscious tropical fruit held together with fine acidity. The 2006 Sleepy Hollow Vineyard ($32) offers seductive lemon, apple and caramel.

You also should consider Chablis. The wines of this region at the northernmost end of Burgundy are 100 percent chardonnay. The cool climate and high-mineral-content soils (clay and limestone from fossilized oyster shells) produce a unique result that is the reference point for a style of chardonnay with highly focused acidity, little or no oak, and qualities that have been described using words like chalk, stone, mineral, green, steely, and flinty. While such qualities might surprise some, these wines truly reflect their origins.

Although the best-quality wines are not inexpensive, they are much less so than top Burgundies and priced on a par with California's best. The seven highest-quality vineyards are classified as Grand Cru. The next level, Premier Cru, is more plentiful and often very nearly as good, especially from a top producer like Domaine William Fevre. I loved three of Fevre's Premier Cru wines. They all offer pure citrus fruit, that characteristic chalk, and a judicious use of oak. The 2005 "Vaillons" ($40) adds an intriguing savory note. The 2006 "Montmains" ($45) shows more peach and tangerine fruit. The 2006 "Fourchame" Premier Cru ($55) is the most complex and minerally.

December 15, 2008


Visit Santa Fe for Great Food (but don't forget Albuquerque)

If cities have a soul, Santa Fe's soul emanates from its food, a synthesis of its native and Spanish heritage with Western U.S. influences and more recently an appreciation of the variety of the world's cuisines and the importance of the local, organic ethic. My wife and I have visited Santa Fe at least once a year for the past 22 years (the last nine with our son). We also have made excursions to Taos and Albuquerque but it is Santa Fe that draws us each year. We are well aware of its reputation as an ultra chic, elitist enclave but we ignore that aspect of the city when we visit to focus on the history and culture.

And most importantly the food. As long as we have been coming to this special place, I am impressed at how many restaurants from those early days are still around. There have been some lamentable closures, though, the most recent of which was the shuttering of Cloud Cliff Bakery, Cafe and Art Space. Stopping by Cloud Cliff for breakfast on our last day before heading home had become a tradition. I always looked forward to a dose of their organic food, eclectic art and progressive politics to complete our trip.

The disappointment of losing Cloud Cliff was balanced on this weekend trip by our successful strategy of trying out restaurants we had never been to before. Some of these had been around a while but for some reason we just hadn't made our way to them until now. Maria's New Mexican Kitchen (www.marias-santafe.com) is a Santa Fe icon, having served its popular menu of New Mexican standards under its current ownership for 23 years. We went for lunch and enjoyed our meal so much we wondered why it took us so long to get there. By the way, I had a beer with my lunch but everything I read says their margaritas are legendary. For dinner our first night we ate at Andiamo (www.andiamoonline.com) in the Railyard District. I had read good things about this place for several years and we were glad we finally made it in. This is serious Italian food at reasonable prices. Located in a cozy house, this is an elegant, yet casual restaurant well worth a visit. For breakfast the next day, we stopped by Counter Culture (no website), whose name is an apt double entendre for this funky, casual place. We enjoyed our breakfast: pancakes, burrito, eggs, pastries and really good coffee. But looking at the extensive list of sandwiches on the lunch menu, I made a mental note that this would be a lunch stop next year.

But I have to say the highlight of the trip was our dinner at La Boca, (www.labocasantafe.com) which is located just a couple of blocks north of the Plaza. The place, as it happens, recently had been named the city?s best new restaurant by several publications. La Boca essentially is a tapas restaurant, which was perfect for us because we like to try a variety of items when we dine, especially at a restaurant for the first time. The prices were reasonable, though you must be careful because those little dishes can add up just like at a sushi restaurant. The only down side is that the place is very small, even a little cramped.

This year, we decided to spend our last day in Albuquerque. In addition to taking our son to the impressive Museum of Natural History and Science, we enjoyed three very good meals. For dinner Friday night, we went to the Nob Hill Bar & Grill. This place was the perfect combination for us: a lively neighborhood bar and restaurant that serves very good food. No question this is a hip, hopping place ? and it deserve to be, as much for its contemporary take on comfort foods, as for its inviting atmosphere. The next morning we went back to the Nob Hill neighborhood for breakfast at the Flying Start Cafe. The draw was hearty entrees, an extensive array of baked goods, and strong coffee, not to mention a great selection of magazines. As a bonus, the restaurant (and its seven sibling restaurants and related Satellite coffeehouses) prides itself on using organic ingredients whenever possible and sourcing as many products as possible from local producers. If I lived in Albuquerque, I'm sure I'd be at this place at least three or four times a week. Before we made our way back to Denver that afternoon, we stopped at the Gold Street Caffe in downtown for a quick lunch. We found a small but friendly and nicely appointed restaurant. Our sandwiches were large, well made and tasty; a fine send off before we headed home.

I have long been of the opinion that Santa Fe is one of the best dining cities in the country. First, the city has its own unique cuisine, a blend of Spanish, Mexican and Native American influences, but also has great restaurants serving a wide variety of world cuisines. Our recent trip confirmed this once again. And the last day of our trip gave us some hints that Albuquerque is worth more attention in the future.

December 08, 2008


Wine Books Makes Great Holiday Gifts

As much as we wine lovers like to get gifts of wine for the holidays, we also appreciate wine books. As you begin to think about what to get the wine devotee in your life, here are a few suggestions.

"The Grapes Grow Sweet: A Child's First Family Grape Harvest," story and illustrations by Lynn Tuft, with text by Tessa DeCarlo (Rivervine Press, $20), will help get that future wine aficionado interested in the vine. It is a delightful story of the first year Julian, the fourth generation of a family of grape growers, is old enough to help his mother and father with harvest. Colorfully illustrated, the book brings to life the lifeycles of the vineyard both for children and parents. Now in its third printing, the author has added a coloring book companion ($5, coloring book only, $8 with crayons), "Julian's Vineyard Adventures." It devotes a page illustrating each month of the growing year, with additional text describing the happenings in the vineyard and Julian's adventures.

"Small Plates, Perfect Wines: Creating Little Dishes with Big Flavors," by Lori Lyn Norlock (Andrew McMeel Publishing, $17), would be nice for the foodie who is also interested in wine. it is a timely release given the growing interest in small plates - whether they be called tapas, antipasti, mezes, or antojitos. The book is a collaboration with the Kendall-Jackson culinary team, led by Executive Chef Justin Wangler. Fifty delectable recipes are organized into chapters covering salads, vegetables, seafood, meat, poultry and desserts. The recipes also are assembled conveniently into sample party menus reflecting the seasons and various special occasions. Of course, I'm equally interested in the wine pairing tips provided by Kendall-Jackson Winemaster Randy Ullom. After wisely noting the subjectivity involved in wine pairing and counseling that the best advice for pairing food and wine is "to just enjoy yourself," Ullom does offer "a few guiding principles." Like seeking balance in both the food and the wine. With no component too prominent, the possibility of clashes is diminished. Or applying the affinity approach, which matches food and wine with the same kind of intensity or the contrast approach, in which one chooses food and wine that compliment each other. In case you still are unsure, there are specific pairing suggestions, catalogued both by grape variety and by recipe.

"The Art of Terroir: A Portrait of California's Vineyards," photographs by George Rose and text by Rod Smith (Chronicle Books, $25), is another offering from Kendall-Jackson. What a great coffee table book. The focus is on the 85 pages of evocative photos of vineyards stretching along California's coastal regions. The close-ups are enlightening in their detail. The panoramas of the landscape photos are simply breathtaking. While George Rose's photos visually depict the terroir of the vineyards, Rod Smith's essays are an inspired guide to how the vitis vinfera vine "gathers in various forms of energy and captures them in its fruit." At the beginning of each chapter, Smith's poetic descriptions illuminate the influence of those energy sources - light, air, water, rock, air, and cultivation. If you have found all the talk about the significance of terroir to be a little bewildering, this fine book will help bring that concept to life.

"Passion on the Vine: A Memoir of Food, Wine, and Family in the Heart of Italy," by Sergio Esposito, with Justine and der Leun (Broadway Books, $28), is a personal chronicle of discovery and respect for tradition. A highly regarded authority on Italian wine, Mr. Esposito operates Italian Wine Merchants in Manhattan with co-owners Mario Batali and Joe Bastianich. While the book mostly describes his travels throughout Italy drinking great wine, eating great food and meeting the extraordinary people who create them, it also interweaves intimate stories of his relationships with his family, friends and business acquaintances. Having been born in Naples, he recounts the unhappy experience of emigrating to Albany, New York and later anxiously moving to a small apartment in Manhattan. There, he naturally was drawn to a career in wine, which included a sales job at the House of Burgundy specialty wine shop and formative time as sommelier at San Domenico, one of the best Italian restaurants in the country.

I often am put off by books replete with tales of gustatory excess but Esposito's stories are worth telling. The core relationship that weaves through all the others in the book is that of the authenticity of food, wine, and family. That this elemental association has informed his life is illustrated in Mr. Esposito's accounts of his frequent trips back to Italy. Along the way, he gains a renewed appreciation for the traditions of Italian winemaking and cooking. With the help of co-author Justine van der Leun, the book goes beyond recitations of multi-course, multi-hour meals filled with rare, expensive wines to touch real insights into the worlds of fine wine and dining. The reader is treated to illuminating recitations on the realities of the wine trade, the power of critics, controversies over traditional vs. modern winegrowing and winemaking methods, and the loss of traditional, regional Italian cuisine. In the end, one has gained an understanding and appreciation for Italy and for what Esposito calls 'the Italian way" that belies a long history of stereotypes. That alone makes this book worthwhile.

Please note that you can find these books on Amazon and other bookstores in your area.

October 13, 2008



Winery at Holy Cross Abbey, A True Local WInery. Post Your Comments Here.

This month’s column is presented as my contribution to Regional Wine Week. A project of Jeff Siegel, wine columnist for the Fort Worth Star-Telegram, and Dave McIntyre, wine columnist for the Washington Post, the goal is to focus attention on local wineries. With every state now having a winery (Colorado is nearing 70) and quality improving steadily, this a good time to discover (or rediscover) our local wineries. To learn more, check out www.drinklocalwine.com during the week of October 6.


Canon City, Colorado is one of the last places I would have expected to find a winery, let alone a really good one. But that just shows my own ignorance. Being from Denver, I pretty much only knew Canon City as the home of state and federal prisons and the gateway to the Royal Gorge (the world’s highest suspension bridge). But there it is about three miles east of town, The Winery at Holy Cross Abbey. Given the Catholic Church’s long history with viticulture, it shouldn't be too surprising to find a winery here. Plus, the Canon City area has a log farming tradition, reaching back to the late 1800s that developed on the heels of the nearby mining boom. Benedictine monks built the Holy Cross Abbey in the early 1920s on orchard land. The Abbey was the base for the order and it’s education programs and, of course, the monks made wine.

But times change. Eventually, the winemaking stopped and in 1985, the Abbey school closed. Still, some of the fathers dreamt of resurrecting the Abbey’s winemaking tradition. They hired Matt Cookson in 2000 to consult in the planting of a vineyard on the property. Matt had been a winemaker in New York and in California (where he worked for St. Francis, Keenan and Rombauer) and had been coming to Colorado to consult with wineries on the Western Slope. The fathers realized an opportunity when they saw it and asked Matt and his wife Sally to help them build and operate a winery and tasting room. The couple already had developed an attraction to the area and decided to make the move from California. Over the following five years, the Cooksons built a successful operation. Then, in 2006, the Abbey closed and the Winery’s future suddenly was in doubt. But the timing of the closure was fortuitous. The fathers were able to sell the winery to Larry Oddo, a New York City accountant who had just moved to Canon City the year before with his family looking for a change in lifestyle.


The Cooksons became partners with Oddo in 2007. And with this partnership, The Winery has continued the success that began in 2002, when the winery produced 3000 cases. This year, they produced nearly 13,000 cases, which Matt says may be more than any other Colorado winery. As Matt continues to win awards for his wines, Sally has led the sales and marketing. This has included organizing special events such as hosting fundraisers, a bike ride, an art and music weekend, and the annual Harvest Fest. Sally also has grown the tasting room/gift shop into a bona fide tourist attraction. Housed in a charming cottage, walk through the doors and you might think you are at an intimate family owned winery in California. Within this welcoming environment, you will find bottles of wine, of course; art and crafts from Colorado and around the world; cooking, wine and travel books; and a variety of food- and wine-related accessories.


Tasting of most wines is complimentary, although the Reserves cost $1. There also is a comforting tree-lined park where you can sip wine or eat while enjoying views of the nearby vineyard, the Abbey and the Rocky Mountains. All of this success hinges on the quality of the wines and here there is no doubt. I have tasted many of Matt’s wines over the last few years and continue to be impressed, as I was at the winemaker dinner on the Friday night before this year’s Harvest Fest. As committed as Matt is to Colorado and Colorado grapes (with most grown on Colorado’s Western Slope), he is not afraid to go out of state, if necessary, to get the best fruit. At the dinner, several of the wines were sourced from California and Washington.

We tasted an American Riesling ($14), which Matt considers his flagship. Good acidity lifts peach and apple flavors. And most of the grapes are from Washington. We followed with a crisp, fruitful 2007 Sauvignon Blanc Reserve ($25) made with grapes from Lodi and a succulent 2007 Chardonnay ($19), whose tropical fruit came courtesy of Monterey.  Colorado, though, was well represented by the full, rich 2006 Merlot Reserve ($26), the oaky, curranty 2006 Cabernet Sauvignon Reserve ($26), and the soft, tangy 2006 Cabernet Franc ($22). The meal was brought to a fine completion with the Port-style 2004 Colorado Merlot “Divinity” ($25). The Winery also uses Colorado grapes for its regular release Sauvignon Blanc, ($16) Cabernet Sauvignon ($20), Merlot ($20) and Syrah ($21). The Winery also produces several fun (read mostly sweet) wines: Apple Blossom (from locally grown apples, $12), Vineyard Sunset (White Merlot/White Zinfandel. $11), Colorado Nouveau (whole berry fermented Merlot, $14), and Wild Canon Harvest (a light red wine made from around 21 varieties, $11).


Ultimately, what is equally impressive to me is how the Winery and Matt, Sally and Larry have become an integral part of the local community.  From the hosting of special events and fundraisers to using artwork from local artists Edward Adamic, and Paula Fasken on labels. From hiring area native, Jeff Stolz ,as assistant winemaker to using apples from nearby Colon Orchards and Juniper Valley Farms for the Apple Blossom. And, in what is surely the most populist wine I know of, the Wild Canon Harvest is made from grapes grown by upwards of 100 local growers.  It seems to me this is the essence of Regional Wine Week and of what it means to be a local winery.


THE DETAILS: The Winery at Holy Cross Abbey, 3011 E. Highway 50, Canon City, CO 81212; (719) 276-5191, toll free 877-422-9463; www.abbeywinery.com. The winery is about two hours south of Denver, 45 minutes south of Colorado Springs and 40 minutes west of Pueblo. The tasting room/gift shop is open Monday-Saturday 10-6 and Sunday 11-5.

September 24, 2008


AWARD-WINNING FILMMAKER CREATES SERIES OF WINE FILMS

ST. HELENA, California (September 24, 2008) - Bret Lyman, a Napa Valley-based filmmaker and proprietor of B.Napa Studio, has turned his camera on the vineyards, wineries and principals of Wilson Daniels Ltd.'s French and Hungarian properties to create a series of compelling, short films. A trailer for the entire film series is available online now at www.wilsondanielsfilms.com. Individual films will premiere online over the next six weeks, beginning with the October 2, 2008, debut of "The Renaissance of Tokaji," showcasing Royal Tokaji. All films will be available for download to iPods, as well as web-based viewing at Wilson Daniels Films, YouTube (Wilson Daniels channel), Facebook (Wilson Daniels page) and Vimeo. "These films were created to forge a deeper connection between wine enthusiasts worldwide and our European properties," said Andy Fromm, president and COO of Wilson Daniels Ltd. "Our goal is to utilize them for educational purposes among our wine industry trade partners, but we also encourage our customers to use these high-quality films as in-house entertainment and provide added value to their customers."

Each mini-documentary explores the history, setting, and distinct personality of the properties through thought-provoking images and interviews with winery principals. Lyman's signature style-saturated colors, lush cinematography and striking music-make a breathtaking background for the three- to five-minute films, filmed exclusively in high-definition. Lyman also captures the small details of each estate, from candlelit cellars in real light to the ancient lock on a cellar door, providing viewers with a sense of intimacy with each locale. "In the world of online content, there are videos, and then there are films. As a commercial filmmaker who grew up in wine country, I really want to show wine lovers the difference," said Lyman, winner of the Trophée Spécial for "Best Short Film" at the 2008 Oenovideo International Grape and Wine Film Festival in Gruissan, France. "It's like opening a bottle of wine. There are everyday wine experiences, and then there are transcendent ones." Wineries Lyman profiled in the series of Wilson Daniels films include: Royal Tokaji of Tokaj; House of Champagne Delamotte and House of Champagne Salon of Champagne; Domaine Faiveley of Burgundy; Domaine Leflaive of Burgundy; Domaine Pierre Morey of Burgundy; Domaine Philippe & Vincent Jaboulet of northern Rhône; and Domaine Marc Kreydenweiss of Alsace and southern Rhône.

For more information about the Wilson Daniels portfolio, please visit www.wilsondaniels.com. Still images from films are available upon request by contacting Lisa Mattson at (707) 967-1827 or lmattson@wilsondaniels.com. Wilson Daniels Ltd. celebrating 30 years in 2008. Film trailer for documentary series also available for viewing at www.wilsondanielsfilms.com.

August 30, 2008

FOOD & WINE CLASSIC IN ASPEN ALSO FEATURES PRIME SPIRITS & BEER

Samuel Adams Chocolate Bock (750 ml, $15) lives up to its name but is balanced and flavorful. Two good values in Sherry, the medium intensity Dry Sack ($15) and Dry Sack 15 ($26), a complex, rich Oloroso. Grand Duque de Alba “Solera Gran Reserva” ($46), a smooth, rich Spanish brandy sporting deep aromas and flavors of nuts, caramel, butterscotch and brown spices. Lovers of cream liqueurs should skip the Baileys and seek out Crema de Alba ($25). Remy Martin 1989 Vintage Cognac is truly special and rare with rich, complex aromas and flavors and "only" $300 a bottle! You think that's expensive? The amazingly concentrated and complex The Macallan 55 Year Old Single Malt Scotch is bottled in Lalique crystal and rings in at $12,000, which, come to think of it, makes the little splash I had worth about $240!

For more information, check out: http://www.foodandwine.com/promo/classic/

July 06, 2008

2008 Aspen Food and Wine Classic. Post your reflections here.

June 04, 2008


Riesling's much deserved comeback. Share your thoughts here about this unique and complex wine.

Riesling (pronounced reez-ling) has a long and noble history, particularly in Germany, Austria, and France. It also has enjoyed popularity in the U.S. but fell out of favor as Chardonnay became the white wine of choice. There is a general perception of Riesling as a sweet wine. And, of course, such mass-market wines as Blue Nun tend to be sweet. But there always has been good dry and off-dry (meaning just a hint of sugar) Riesling and it is these drier styles that seem to be gaining fans. The acid in Riesling is what makes it naturally food-friendly, especially with fish, seafood, Asian foods, poultry, and cheese. For me, German Riesling still is the benchmark. So, my next column will be devoted solely to Germany. This column highlights fine Rieslings from elsewhere around the world.

In Alsace, dry Riesling always has dominated. The wines in my tasting, including three good introductory wines, showed the mineral character that is the hallmark of great Riesling.
• 2005 Hugel (very dry, $20)
• 2005 Marc Kreydenweiss "Au dessus de la loi Andlau" ($27)
• 2005 Schlumberger "Les Prices Abbes" ($17)
• Two biodynamically farmed wines from Marc Kreydenweiss, 2005 "La Dame Wiebelsberg" ($44) and 2005 "La Chateau Kastelberg" ($77), demonstrated the added aromatics, concentration and complexity that can come from Grand Cru vineyards.

Australia has shown a real affinity for Riesling.
• 2006 McWilliams "Hanwood Estate" South East Australia ($12)
• 2007 Penfolds "Thomas Hyland" Adelaide ($15)
• 2006 Wakefield Clare Valley ($17)
• 2006 Lalla Gully Tasmania ($22)

You may be surprised to read that Riesling was one of the first varieties grown in Washington and still is one of the state's favorite wines.
• 2006 Stonecap Columbia Valley ($11)
• 2006 Pacific Rim Dry ($11)
• 2006 Milbrandt "Traditions" ($13)
• 2005 St. Laurent Columbia Valley ($15)
• 2006 Tsillan Cellars Columbia Valley Estate ($22)

Even California has a history of success with Riesling. Now, production is making a comeback statewide.
• 2006 Beaulieu Vineyard Coastal Estates (California, $9)
• 2006 Kendall-Jackson Vintner's Reserve (Monterey, $11)
• 2006 Gainey (Santa Ynez Valley, $13)
• 2007 Chateau St. Jean (Sonoma, $18)
• 2006 Trefethen Dry (Napa, $20)

Finally, you can even find good Riesling from unlikely places. Two surprising hits were a 2007 Cusino-Macul "Dona Isadora" ($15) from Chile and 2003 Chateau Bela ($15) from Slovakia (although, this was less a surprise when I realized it was made by famed German winemaker Egon Muller). Even places like Canada, Idaho and Oregon also produce worthy Rieslings. And don't forget Colorado. I would argue that Riesling is the state's best white wine, and one of the finest is made by the Winery at Holy Cross Abbey.

April 08, 2008

Wine Tasting Enhance Knowledge and Enjoyment.

I could be wrong about this but I cannot think of any other single food product or any single commercial product for that matter that engenders such widespread passion for its distinctive pleasures than wine. One bit of evidence I see for this is the phenomenal interest in wine tastings. Whether you are a serious taster or a more casual wine drinker, one of the attractions and benefits of a wine tasting (whether formal or informal) is the opportunity to compare a variety of wines and thereby increase both your knowledge and your enjoyment of wine. Of course, every time you drink a glass of wine technically you are conducting a mini-tasting. But I think the value of wine tastings is artfully described in “The World Atlas of Wine” by Hugh Johnson and Jancis Robinson: “There is little meaning in an isolated sensation, though it may be very pleasant. Where the real pleasures of wine tasting lie are in the cross references, the stirring of memories, the comparisons between similar and yet subtly different products of the same or neighboring ground.”

Another good reason, as pointed out by Peter Forrestal in “The Global Encyclopedia of Wine,” is that “Attending a formal tasting allows you to compare a number of wines at one sitting, which would otherwise be prohibitively expensive for most of us.” There are even different kinds of tastings. Wine publications describe essentially four types of tastings. Basically, the descriptions boil down to these:

comparative tasting – same type or style of wine, different producers, different vintages
horizontal tasting – same type or style of wine, different producers, same vintage
vertical tasting – same wine, same producer, different vintages
blind tasting – each of the other three can be organized as a blind tasting, in which the identity of the wines is unknown to minimize the influence of bias
Most of the tastings I conduct for my columns are blind comparative tastings. For instance, California Zinfandel from various producers and different vintages. Though, in most cases, most of the wines are of the same vintage, making it almost a horizontal tasting. I find vertical tastings especially enlightening, though, unfortunately I don’t have many such opportunities. I was fortunate about seven years ago to attend a tasting of every vintage of Beringer Private Reserve from its creation in 1978 to the 1999 vintage. It was a marathon but instructive as the winemakers described the influence of the weather, replantings, variations in the blend, and so on.

I did recently organize three small vertical tastings of my own. All were Chardonnay from Robert Talbott Vineyards. Founded in 1983, Talbott has become one of California’s premier Chardonnay producers. Robert Talbott (who still runs a successful designer tie business) recognized the promise of the cool climate (thanks to Pacific breezes) and the glacial alluvial soils of the Santa Lucia Highlands in Monterey County long before the area became coveted for great Chardonnay and Pinot Noir. His Sleepy Hollow Vineyard, located thirteen miles south of Monterey Bay, in the northern part of the Santa Lucia Highlands, is even cooler than normal for the area, which makes for more acidic structure and age worthy wines. The sparse gravelly loam soils allow the roots to dig deep to draw nutrients that show up as minerality in the wines. Each of the three Sleepy Hollow wines I tasted shared a flavor profile that included focused acidity and concentrated citrus fruit. The 2002 ($39) also showed creamy, nutty qualities. The 2003 ($42) had more finesse, possibly due to the long, cool growing season that year. My favorite was the 2004 ($42). From a slightly warmer vintage, it seemed riper, with intense tropical fruit.

I also tasted two vintages of “Cuvee Cynthia,” a special blend of 25 of the best barrels form the Sleepy Hollow Vineyard. Both wines were even more intense and opulent. The 2002 ($55) emphasized the opulence and the 2003 ($60) went more for intensity. Talbott’s Diamond T Estate is a special higher elevation site located about eight miles east of Carmel that produces Talbott’s flagship wine. The chalky shale soil originated in the Pacific Ocean and now yields a stingy one ton of grapes per acre (five tons or more is common). These attributes combine to yield wines of uncommon concentration and structure marked by noticeable mineral character. The 2002 ($65), from a warmer vintage, was very ripe and suggested various green fruits, while the 2003 ($65) was luxurious, showing intriguing fig and spicy notes.

I see these vertical tastings as just one example of how a wine tasting can be informative and enjoyable. They were educational in showing the differences between the vintages but were even more instructive for showing the similarity between the wines, attributes presumably related the vineyard and Talbott’s winemaking style. If you can pull it off, try a vertical tasting. You might need to do some homework to learn the particulars of the vineyards where the wines are produced. But if you're hungry to learn more about wine, you'll be rewarded by the experience.

January 21, 2008


Consumer Information on Wine Labels on Tap for 2008? Let me know what you think! Post your comment here.

I expect one of the hottest issues for the alcohol beverage industry (including wine, beer and spirits) in 2008 to be whether producers should be required to include consumer information on their labels. The fact that there is controversy over this is in the industry is puzzling to me, especially when it comes to wine.

Since wine connoisseurs and aficionados, not to mention advocates, spectators and enthusiasts, regularly insist that wine is not merely a drink but actually food, why shouldn’t its packaging provide consumers with similar information to that required of other food products? This was the question that came to mind when I read (according to The Wine Spectator and WineBusiness.com) that some in the wine industry are opposing three labeling proposals for alcoholic beverages issued by the federal Alcohol and Tobacco Tax and Trade Bureau.

One rule would require all alcoholic beverages sold in the United States to carry serving facts information, such as alcohol and calorie content, carbohydrates, fats and proteins. Another would require a listing of ingredients, including products used in the winemaking process like grapes, yeast and preservatives. A third would require warnings as to whether the product was made using any of a list of allergens, such as milk, egg or fish products (which are commonly used as fining, or clarifying, agents).

As you might expect, the proposals are generating quite a bit of controversy. Notable supporters of the serving facts and ingredients proposals include the National Consumers League, the Center for Science in the Public interest, and Diageo, the eighth largest drinks company in the world.On the other hand, industry groups such as The Wine Institute and WineAmerica, reportedly are opposed. From the reading I’ve done, the most often stated concern of opponents is that the regulations would be a financial burden, especially on small producers.

With the allergen regulation, they also contend there is no proof of any allergen remaining in finished wine. Concerns also have been raised that the regulations actually could result in inaccurate labeling. This is because producers often decide whether to fine (clarify) a wine and which fining agents to use shortly before bottling, while labels are ordered much sooner. The timing disconnect could present a dilemma for winemakers, leading to labels that list an allergen when none was used. Understandably, that is not good enough for allergy sufferers who aren’t willing to
take that chance, even if cause and effect cannot be established beyond doubt. With some allergies resulting in serious reactions, even death, allergy sufferers insist that warnings are necessary to make informed decisions to protect their health.

At least one winery isn’t waiting for all this to play out. According to reports in The Wine Spectator and EnoBytes.com, Bonny Doon Vineyard (of Santa Cruz, California) has announced that it will include a list of ingredients on its new releases this year. Bonny Doon is believed to be the first major U.S. brand to display such information. Bonny Doon owner Randall Grahm probably isn’t going to make many friends over this move. But this isn’t the first time Grahm has surprised the industry with his foresight. He raised eyebrows when he switched 100% of his production to screwcaps several years ago, the first to do so in the U.S. I believe. A Bonny Doon representative has been quoted as saying they hope other winemakers will feel responsible for acknowledging their own additions and interventions and that full disclosure will encourage winemakers to be more hands-off and less interventionist.

The move also displays a commitment to transparency that can only generate goodwill with consumers. By opposing the proposed labeling rules, other producers risk a breach of faith with consumer that will be difficult to restore. Just about every winery – from the smallest family-owned farm to the largest multinational conglomerate-owned operation – now markets their wines as the product of a natural process and a commitment to translating the authentic nature of the site where the grapes were grown into the bottle. In my opinion, by opposing these rules, producers just look hypocritical. Why not use these requirements as an educational opportunity? Consumers will reward the producer who gives them more information about the foods and beverages they choose.

December 04, 2007

Beer Pairing and Extreme Beer. Post your thoughts.

SAM ADAMS PROMOTES FOOD AND BEER PAIRING AND “EXTREME BEER”

I know the subtitle to this website is “ Wine, Food, Travel” but even wine journalists don’t live by wine alone. I, for one, love beer, too. And I even like to write about it whenever I can. Hence, this month’s posting is all about beer.

Food and Beer Pairing
It’s become arguably the biggest trend in beer (at least craft beer) to promote serious beer and food matching – and I don’t mean wings and burgers. Food and beer matching ideas are cropping up all over the craft beer industry, with the most notable example being the Great American Beer Festival (GABF) in Denver this past October. There were pairing demos in the Beer & Food Pavilion and they even had available a beer and food matching chart that list 28 styles of beer along with suggested foods. For more info, check out www.beertown.org.

But the Boston Beer Company, maker of Sam Adams, and specifically Jim Koch, the company’s founder, has been in the forefront of this movement. This shouldn’t be a surprise, as Koch and Sam Adams have been beer innovators since the company’s founding in 1984.now Koch and his company are pushing for beer lovers and would be beer lovers to think about beer (at least some of the time) the way wine drinkers think about wine – as a natural accompaniment to food.

Koch even has promoted this idea in the heart of wine drinker territory – the Food & Wine Magazine Classic at Aspen. In recent years, Koch has hosted lunches at the Classic with food prepared by culinary luminaries, such as chefs Todd English and David Burke.

Sam Adams also has promoted beer and food pairing at the GABF this year. At a dinner at Rioja restaurant in Denver’s Larimer Square drove the point home. How about appetizers including apple beignet, foie gras Napoleon, cinnamon range gastrique and seared duck breast washed down with Sam Adams Winter Lager? Or an entrée of beef filet, seared scallops and caramelized onion with Sam Adams Boston Lager? Dessert, a hazelnut brown butter tart, was accompanied by Sam Adams Cram Stout.

Even for a wine journalist like me, the beer and food pairings seemed every bit as natural as they were revealing.

Extreme Beer?
That’s what Jim Koch calls it. I mentioned above that he and his company are beer innovators. Beginning with Triple Bock in 1994, Koch has really pushed the envelope of complexity and alcohol. The Triple Bock came in at 17.5% alcohol. In 2000, Sam Adams released Millennium Ale at 21%. Then came Utopias MMII in 2002 at 25%. In 2003, and again in 2005 Utopias was released at 25% alcohol. Now the just released 2007 edition of Utopias weighs in at 27% alcohol!

What is amazing about this brew, though, even more that the alcohol itself, is that the alcoholic heat virtually disappears behind the seamlessness of its rich texture and complex flavors of caramel, maple syrup and butter pecan. At $120 a bottle, Utopias certainly is the most expensive beer ever but this brew also can take its place among the finest after dinner drinks, whether Cognac, Sherry or Port.
Meadowood

In the Napa Valley, It Doesn’t Get Any Better Than Meadowood. I have had the pleasure of staying at the Meadowood resort in the Napa Valley twice now, first in March of 2006 and again in July 2007. Nestled in a valley, a crease really, in the eastern foothills of the Napa Valley (roughly as far north as St. Helena), Meadowood is an amazing property. There is a refreshingly rustic feel to being surrounded by forest as you rest in your cottage. But make no mistake; Meadowood is a refined and eminently civilized place. Once inside your cottage, you feel as if you are in an elegant hotel.The civility is reinforced by the availability of golf, tennis and croquet. And a nightly wine reception offers a white and red Napa Valley wine to enjoy and an opportunity for conversation with fellow visitors.A notable offering is an extensive wine education program directed by Master Sommelier Gilles Chambure. Guests can (for an additional charge) avail themselves of a wide array of wine tasting sessions, winery tours and other wine-related services.And now The Restaurant at Meadowood has become a jewel of the resort. I left our meal there in July convinced that this is one of the best restaurants in the Napa Valley. Chef Joseph Humphrey prepares impeccable contemporary cuisine using fresh, local, seasonal ingredients (some even from the Meadowood’s own organic garden).There are three-course ($65), four-course ($80) and five-course ($95) Prix Fixe menus, as well as a Chef’s Tasting Menu ($120). Of course, the wine list is heavy on Napa Valley wines but there is also an impressive selection of wines from around the world.It is no surprise to me that Esquire recently named The Restaurant one of the best new restaurants in America and the Michelin Guide just gave it two stars (three is the most they give).Granted, both the resort and the restaurant are very expensive. But the next time you are looking for a splurge, you can do no better than Meadowood.

For more information, check out: http://www.meadowood.com/winecuisine/the-restaurant/

September 27, 2007


Are restaurant prices too high? Need I Ask? Post your thoughts.

A little over three years ago I wrote a series of columns about restaurant wine pricing for the Colorado Springs Gazette that generated the most interest and responses than all the columns I have written in the 12 years I have been a freelance writer.

It all started with a column summarizing the results of Wine & Spirits magazine’s15th Annual Restaurant Poll (published in its April 2004 issue) tracking the popularity and prices of wines in what the magazine described as “high-end American restaurants” in 2003. The poll was sent to the Zagat Survey’s “Most Popular Restaurants” listings on the not unreasonable assumption that these restaurants “reflect the range of dining in America.”

Here is what I wrote in the first column, edited to bring the data up-to-date.

According to the magazine’s publisher and editor, Joshua Greene, the survey results revealed a “sea change” in wine consumption trends, assuming the 350 responding restaurants are representative of fine dining in the U.S. The results showed an increasing diversity of regions and varieties on wine lists. The restaurants reported that diners have responded well to this growing diversity by becoming more adventurous than ever, experimenting with wines from southern Italy, Australia and other lesser-known regions over more familiar choices.

The poll (as well as the most recent poll in April 2007) also confirmed that red wine remains the wine of choice in American restaurants, at 60 percent of the most popular wines  (up to 64 percent in 2007) compared with only 46 percent ten years ago.

There are a variety of other interesting findings in these polls but most interesting to me was the price consciousness of consumers, a finding the magazine described as  “underscoring the consumer’s interest in identifying wines that present the greatest value in each category.

Yet, the polls reveal that prices remain high and mostly are even increasing. In the 2004 poll, nearly 40 percent of the restaurants reported an increase in wine prices. In the 2007 poll, over 60 percent said they have increased their prices.

I for one continue to be concerned about high wine prices at restaurants. Although, wine sales increased as a percentage of the responding restaurants’ total sales in both polls, restaurants may be missing an important opportunity to educate and excite consumers about wine and especially new types of wine. I suspect that lower prices (or at least a wider range of prices) would lead to increased consumption and higher sales.

High prices and unimaginative selections keep consumers from experimenting. Treating wine as a cash cow may be understandable from the point of view of a restaurant trying to make up for a narrow margin on the food. But high prices contribute to the mystification of wine and the perpetuation of the false notion of wine as elitist.

I am encouraged that consumers seem to be seeking good values more than ever before. Whether that trend is because of the economic squeeze or because diners are wine savvy (it’s probably both), hopefully restaurants will get the message. If more restaurants treated wine more as an integral part of the meal and priced it accordingly, both the diners and the restaurants would benefit.

I concluded the column asking readers (diners, restaurant owners and restaurant staff) what they thought.

The next column featured the readers’ responses.

“Boy, did your column today strike a nerve!!”

This statement pretty well sums up the readers’ reactions as they wrote to vent their frustrations about the prices of wine in restaurants. Interestingly, two themes were consistent throughout the responses:

Consumers take value seriously.

Consumers will seek alternatives when the perceived value is not adequate.



As for value, virtually everyone said they often feel bottle and especially by-the-glass prices are not justified by the quality, especially when they know the cost of the same wine in retail stores. Some even made rather precise price/quality calculations. Consider these representative quotes.

“What I object to most is the prices that ordinary, moderately priced restaurants are charging.”

“It would be lovely to have a glass of wine with dinner but I refuse to pay more for the glass than I would for the entire bottle at (a liquor store).”

“Why would we want to pay $80 to $90 for a bottle of wine that is way too young, probably not stored properly, and served in cheap wine glasses when we can enjoy that bottle at home for about $30?”

“It kills me to pay $6-7 for an approximately 4 oz. glass of wine when I know I could buy the whole bottle for $12.”

When faced with such challenges, consumers invariably look for alternatives. It seems many simply will stay home. Others will give preference to restaurants with better prices. Most trade down, buying a glass instead of a bottle or a lower priced wine than the one they really want. Again the readers state their positions eloquently.

“Good wine values are exactly what we look for, though increasingly it is becoming a challenge. In the meantime we’ll save that special ‘expensive’ bottle for home and the restaurant’s can continue without us.”

“I can tell you that a lot of times, if we’re going out to a nice dinner, we’ll have a good glass of wine here at home before we go out because the restaurants are charging so much for their wine.”

“We have changed our dining out patterns considerably…We visit restaurants less often nowadays because to spend so much money for wine that is just average is not worth it to us…We often bring our own wine (home) and get food from restaurants as carryout.”

“My girlfriend and I are so fed up with high prices, poor quality and selection, and un-knowledgeable staff, that we drink a glass before we go to dinner and then finish off the bottle when we get home after dinner.”

“In response (to the outrageous markup), I have selected less ‘high end’ destinations simply because I feel the difference in the food quality does not justify the difference in the price of the wine.”

“I think restaurants count on the fact that people like us will order regardless of the price. However, we will be more selective where we dine when we know the wine is going to cost the price of two or three entrees …”

“My wife and I eat out ‘up scale’ ….In each of theses places I find about two ‘by the glass’ choices that I would accept and have to pass on one of the full bottles.”

“Restaurant wine prices of twice (or three times) the retail price is ridiculous. We therefore forego trying the better wines at restaurants.”

“The bottom line is that if restaurants had a reasonable profit margin on wines, we would be willing to be more adventurous and try more premium wines.”

“We are tired of the high wine prices in restaurants. We do tend to feel forced to purchase ‘House Wines’ regularly even though we know they are mediocre.”

Finally, the readers had a few other interesting comments and suggestions. There was a lot of interest in a wider variety of choices – both in the types of wine and the range of prices. Readers also expressed concerns about wine service and the staff’s lack of knowledge about the restaurant’s wines. Several people reserved special contempt for the chains on these issues.

Certainly, these responses do not constitute a scientific survey of consumer opinions but the unanimity and emotion cannot be denied. Restaurants, are you listening?

I finished the series giving the restaurants their chance to speak and ending with my two cents on the subject.

I interviewed members of the Colorado Springs Independent Restaurant Collective – Jeff Mervis of La Petite Maison, Brent Beavers and Kristin Schaeffer of Sencha, Chip Johnson of the Briarhurst Manor, and James Africano of The Warehouse – and came away convinced these are some of the “good guys” in the restaurant community. Unlike national chains, these independents are more concerned with providing quality wine and food than simply maximizing the return on their investment. They emphasize fresh, local foods and are more community oriented, donating to fundraisers, farmers markets and so on.

Their wine lists also typically have much more variety of wines from different countries, grapes and styles on their lists than do the chains.  They said they try to have a range of prices and provide good quality at all levels.

They said they too are appalled at the prices some restaurants charge, especially for wines by the glass. They don’t like being lumped in with those restaurants. And they don’t appreciate comparisons with liquor stores, claiming higher costs and less pricing flexibility. They point out that they are selling a total experience and environment for the diner.

But this isn’t the whole story. There is another model that deserves everyone’s attention. No discussion of restaurant wine pricing is complete without an acknowledgment of the pioneering approach of San Francisco’s PlumpJack Café.

When Gavin Newsom and his partners opened PlumpJack in 1994 they surprised the wine and fine dining worlds by selling their wine at only slightly above retail prices. Mr. Newsom couldn’t believe the mark ups in other restaurants and insisted that people ultimately will spend more if they get better value.

The result, according to Rob Goldberg (CEO) and Rose Gibson (General Manger), has been to cultivate a clientele that not only appreciates wine but also is very loyal. Newsom once told The Wine Spectator “PlumpJack makes money by selling higher volume and creating repeat customers.”

Gibson says, “Gavin was very clear from the beginning that we would make enough money; we don’t need to make tons of money.” Goldberg adds they “may have given up some profit for higher sales.”

Their plan seems to be working. PlumpJack is till around and busy every night, while many restaurants have come and gone since and the company now owns five other restaurants. And Gavin Newsom is San Francisco’s mayor, though I can’t prove his wine pricing policy is the reason.

“If customers look at the total check and feel they got a good value, they are likely to come back more often – we put money in the bank, not margin,” says Goldberg.I can’t help but see PlumJack’s approach as a model for other restaurants. I wish restaurants would do the following:

Offer bottle and half bottle prices close to retail

Provide a knowledgeable staff

Use high quality glasses

Offer a taste before purchase

Pour at least 6 oz. by the glass

Offer1/2 glass options

Offer flights

Offer wine and food pairings

Offer occasional bottle discounts

Pass on any cost savings to the customer



Then there is Fred Franzia. You may not have heard of him but he is responsible for possibly the biggest phenomenon in the wine industry in recent years  – “Two Buck Chuck,”  $2 Charles Shaw wines sold in Trader Joes stores.

Now he is stumping for a $10 bottle of wine in restaurants. He told The Wine Enthusiast, “Trader Joe’s became a destination retailer by providing this opportunity. You’d think restaurants would want to become frequent destinations for their patrons.”

Franzia’s crusade also struck a nerve with former New York Times wine columnist, Frank Prial. He once wrote about a bottle of wine he paid $18 for in a restaurant and then saw the same wine in a liquor store for $6. He concluded the restaurant could have sold the wine for $10 and still made three time more than they paid. Still Prial isn’t convinced the $10 wine will ever take hold. His solution is for restaurants to start offering carafes.

But consumers need to do their part, too. Prial asserts “In some ways, the high cost of wine is a problem we have made for ourselves: we take wine too seriously.” He goes on to say that it is fine to be serious about wine under certain circumstances but it is unnecessary for everyday drinking.

We diners need to be reasonable. We should appreciate that high quality and unique wines are likely to cost more than cheap, mass-produced wine. We also need to stop thinking inexpensive wine is always cheap quality.

Somehow I don’t think we’ve heard the last on this issue. For my part, I continue to seek restaurants that provide consumers with good quality at a fair price. For the rest, I’ll drink a glass of water before I will overpay for wine.

August 10, 2007

Restaurant Reviews

Hank's is a Great Choice for Seafood in Washington D.C.

I just had to report on a great restaurant I discovered while I was in Washington, DC recently. Whenever I am in DC I consider it a must to visit the area around Dupont Circle. With some of the city’s best bookstores (like Kramerbooks) and museums (most notably the Phillips Collection) and arguably the liveliest street life in the city, this area draws me much more that traditional tourist favorites like Georgetown.

Actually, the main attraction for me is the wealth of cafes and neighborhood restaurants. And on a recent visit I was invited to sample the fare at a recent addition to the neighborhood, Hank’s Oyster Bar. The restaurant is located just a few blocks from Dupont Circle in the heart of the diverse neighborhood around 17th and Q streets. In case you didn’t know, the Dupont Circle area also has long been one of DC's most gay friendly neighborhoods. And Hank’s is run by Jamie Leeds, a skilled chef and restaurateur who just happens to be a lesbian. After spending years laboring in other DC restaurants, she opened her own place in May 2005. Jamie has modeled the restaurant after the popular oyster bars and seafood hangouts in Boston, New York and San Francisco. Hank's also is a tribute to chef Leeds's late father who was a fisherman.

Being a neighborhood restaurant, it is moderately sized, with seating for about 65 people inside and around 20 outside. The menu changes daily, offering several inviting specials but also many seafood classics. We immediately felt welcome, and not because they knew I was going to write a review. The place just felt welcoming and we could sense the pleasure of the diners, and see it on their faces. Naturally, we started with a look at the blackboard for the daily oyster and clam selection ($2 each), which also listed sake oyster shooters, jumbo shrimp cocktail and seafood ceviche. Then some excellent sourdough bread bridged the gap until our small plates ($6 to $13) arrived. We enjoyed lobster bisque and fried oysters but the popcorn shrimp and calamari, Caesar salad, and crab cakes looked just as good. The night we were there they also offered special small plates of steamed Penn Cove mussels, chilled Old Bay peel & eat shrimp, and shad roe with bacon. When it came to sampling the large plates ($11 to $22), we opted for the daily fish specials. Sable fish, mahi mahi and Arctic char all were fresh and expertly prepared.

The regular menu offered an oyster Po’ Boy, fried oysters, Ipswitch clams, a lobster and roll seared scallops. Believe me, it was a difficult choice. For those not in the mood for fish, there is a daily-changing "Meat & Two" menu (plus two sides). This included offerings such as short ribs, chicken schnitzel, pork chop, Flat Iron steak, Hangar steak and Beef Brisket. Hank’s also offers a market veggie plate. Sides ($4 each) are much more than the typical Cole Slaw, French Fries, and onion rings, although they have those, too. We adventured out of our comfort zone to order French green lentils, sesame snow peas and collard greens and were not disappointed. The one drawback is that Hank's does not serve dessert (the kitchen's too small) but they try to make up for it by bringing some excellent dark chocolate along with the bill.

Although some in our group still were disappointed, I just looked at it as a convenient excuse to move on to one of the great cafes in the area. And the wine list? Well, since this is a wine column I must tell you that the list is a really good match for the food and accessibly priced. Among the whites, we could choose sauvignon blanc from France or South Africa and chardonnay from France or California. But there also were more interesting choices, like French Muscadet, Austrian Gruner Veltliner, and Alsatian Pinot Gris. The red wines also were well chosen. A prime choice for fish, there was pinot noir from France, California and Oregon. But it was also nice to see alternatives, such as tempranillo from Spain, shiraz from Australia and malbec from Argentina. Once I got back to Denver, I wanted to see if I was alone in my favorable impression and found just the opposite. A few examples: Troy Petenbrink in The Washington Blade wrote, “Hank’s Oyster Bar is an excellent and much needed addition to the 17th Street dining scene.” Tom Sietsema of the Washington Post concluded, “Though the atmosphere is casual, this fish is first-rate.” And the Washingtonian magazine recently ranked Hank’s as one of the city’s top 100 restaurants.

Bottom line, Hank's is a great neighborhood restaurant, a casual place where the food is anything but casual. And, in true neighborly fashion, the prices (including the wines) are more reasonable than other D.C. restaurants of comparable quality. If only Denver had a place like this.

VITAL STATISTICS: 1624 Q Street, NW, between 16th and 17th Streets. (202-462-4265). Hours: Sun-Tue 5:30pm-10pm; Wed- Sat 5:30pm-11pm; Sat-Sun Brunch 11am-3pm. Website: www.hanksdc.com

August 06, 2007


Pink Wines Strike Refreshing MIddle Ground.

This is the time of year most of us wine critics write columns touting various white wines as the cool, refreshing antidote to summer’s hot weather. These days most of us also are singing the praises of pink wines. Of course, we are not talking about White Zinfandel. We are talking about dry serious wine and there are many quite tasty ones worth your attention.

Europeans, on the other hand, have known for a long time the joy of drinking a good pink wine. The most common label for these wines outside of Europe is the French word "Rosé" in reference to the color, of course. There are essentially two types of pink wine. The most common style is a made by crushing red grapes and leaving the juice in contact with the grape skins (the source of a wine’s color) only briefly. The other style is the result of a process called “saignee.” This is a technique in which a certain amount of juice is “bled off” after the grapes are crushed. Either way, the result is a wine with a shade of pink that is an ideal "bridge" wine: it approximates the flavor interest of its red siblings but drinks more like a white wine. The best are dry or occasionally only slightly sweet but deliver bright, fresh fruit flavors.

As such, pink wines arguably are the most versatile of wines. They make excellent aperitifs and can accompany a wide variety of foods. They are a fine choice at barbecues, picnics and a restaurant when you want a bottle of red and your companion wants a bottle of white. Because of their light body and lively fruit, pink wines are best when chilled and should be drunk young, so look for the most recent vintages available. Arguably the best rosés in the world are produced in France, where they take pink wines every bit as seriously as they do red and white wines. This is especially true in the south, where a wide variety of rosés are produced. Tavel, referencing an appellation in the southern Rhone Valley northeast of Avignon and southwest of Chateauneuf-du-Pape, probably is the best know pink wine in the world. Certainly, the wines are very good but this popularity probably also is because rosé is all that is produced here and the region does an effective job of marketing their product.

In fact, the 2005 Guigal ($16) was the best of my tasting. This sixty-year-old wine company is one of France’s greatest producers. Guigal makes a wide range of wines, including highly prized Hermitage and Cote Rotie. Clearly, this flavorful rosé (equal parts grenache and cinsault) benefits from that expertise. The 2006 Chateau d’Aqueria ($17), from an estate that was founded in 1595 and now is the largest in the appellation, is a more traditional Tavel in that it is a blend of red wines (grenache, cinsault, mourvedre) and white wines (clairette and bourboulenc).

Head southeast of Tavel and you come to the idyllic region of Provence and the French Riviera. Here, famed Chateauneuf-du-Pape producer Chateau Mont Redon makes L’Aire du Rossignol Cotes du Provence (2005, $15) from biodynamically grown grenache, cinsault and syrah vines averaging 35 years old. Over near the southwest corner of France, is the Languedoc. Although the area has about a 2500-year history of wine making there wasn't much to recommend it tot consumers until about thirty years ago. Today, it is one of France’s most exciting wine regions. Domaine de Nizas is a good example of this new commitment to quality. Established in 1998 by Bernard Portet, the winemaker for Napa Valley’s Clos du Val and John Goelet, a direct descendant of the Guestier wine merchant family on Bordeaux, it is now producing several impressive wine. The 2006 Coteaux du Languedoc ($16), a blend of Syrah, Grenache and Mourvedre, is a good introduction to the winery and the region. Before leaving France, how about a quick stop in Beaujolais? Here, Louis Jadot, for 150 years one of the most respected names in Burgundy and Beaujolais, also makes a fine Rosé. The 2006 Beaujolais ($13, screw cap) is made with gamay, the only grape allowed in Beaujolais.

The Spanish are as serious about their "Rosado" as the French are about Rosé. While there is a lot of good Rosado from Rioja (tempranillo grape), the region of Navarra to the north, although still more famous for the bulls of Pamplona, is a great source of Rosado from garnacha grapes. The 2006 Red Guitar ($12) is produced by Bodegas Ada, a 53 member cooperative established in 1941. The winery amazingly claims this wine is made from the same 60-100 year old vines as their red wine, which says to me it is made by the saignee method. Regardless, it is a flavorful, well-priced wine. The 2006 Julian Chivite Gran Fuedo ($12) comes from the oldest (1647) and still one of the finest producers in Spain. Chivite is best known for red wines from Rioja and Ribera del Duero but has relied on vineyards from their home base in Navarra to create this fine Rosado.

Now is also a good time to try California rosé. More and more wineries are producing quality rosés, perhaps sensing a growing interest among consumers. Here are a few good choices: 2005 Big House Pink ($10, screw cap). The whimsical “Big House” brand was created by the inimitable Randall Graham of Bonny Doon and includes a Red, White and Pink. This pink is produced by the saignee method an includes an eclectic blend of five grapes: sangiovese, barbera, zinfandel, carignan, and Mourvedre. 2006 I’M Rosé Napa Valley ($13). This wine is one of the new projects from the Michael Mondavi family. In fact, the brand is named after Michael’s wife, Isabel Mondavi and his son, Rob, makes it using the saignee method. It is quite full flavored, maybe at least partly because it is 100% cabernet sauvignon.2006 St. Francis Sonoma County ($17). This Sonoma Valley winery is one of my favorite Zinfandel producers. Although this blend includes only two grapes, I find the combination of 75% merlot and 25% syrah as unique as the Big House.

Finally, let’s head down to New Zealand for a 2006 Wild Rock Vin Gris ($16, screw cap). Wild Rock makes distinctive and affordable Pinot Noir and Sauvignon Blanc from Central Otago vineyards located on the South Island. The label uses the term Vin Gris” or “grey wine” as a tribute to the French, which often used the term to denote a Rosé. Because of their light body and lively fruit, rosés are best when chilled and should be drunk young, so look for the most recent vintages available. Finally, one last point in their favor: they are eminently affordable. Most can be had for less than $20 retail.

As evidence of their growing popularity, pink wines now even have their own advocacy group: Rosé Avengers and Producers. Check them out at . There is also a new book dedicated solely to Rosé: “Rosé: A Guide to the World’s Most Versatile Wine,” (Chronicle Books) by Jeff Morgan, who is also a founder of RAP.

July 02, 2007

Summer Pairings for Picnics - What are your favorite suggestions?

This summer when you prepare for a picnic, don’t forget the wine. While most people still turn to beer or margaritas to beat the heat, to my palate, there is no better environment for wine than a leisurely picnic or a backyard barbecue. One general guideline I follow is to match modest wine with modest foods. And I extend that to include modest circumstances, like picnics. Most picnics feature an eclectic variety of appetizers and snacks. Consequently the wine choices are myriad. Given the warmer weather and lighter foods, my thoughts turn to crisp, fruity, aromatic whites, such as these:

- 2006 Newhaven Sauvignon Blanc Marlborough ($12)

- 2006 Hogue Pinot Grigio Columbia Valley ($11)

- 2006 Chateau St. Jean Riesling Sonoma County ($15)

- 2006 Chateau St. Jean Gewürztraminer Sonoma County ($15)

A full-flavored rosé, such as the cabernet sauvignon-based 2006 Rosé Napa Valley ($13) from the Michael Mondavi family, also will do the trick.

Spicy appetizers like salsas and buffalo wings are a pairing challenge, to say the least, but wines with higher acid or some sweetness, including those just listed, can hold up to the heat. Other good choices include:

- 2006 Hogue Late Harvest Riesling (screw cap, $12)

- 2006 Kenwood Gewurztraminer Sonoma County ($14)

- 2006 The Winery at Holy Cross Abbey Sauvignon Blanc Reserv ($19)

If you insist on red wine, try the vibrant fruit of an Australian shiraz, like the 2005 Rosemount Diamond label ($10).

If cheese is being served, especially fresh and tangy cheese like goat’s milk, a brisk white, such as the 2006 Hogue Sauvignon Blanc Columbia Valley ($10), is my first choice. The Dry Creek Vineyards Dry Chenin Blanc ($12), 2005 Covey Run Pinot Grigio Columbia Valley ($9) or a Rhone varietal like the 2004 Marc Kreydenweiss “Perrieres” (biodynamic, $14) also would do nicely, especially with moderately aged cheeses.

Salads may present the toughest challenge for pairing, mainly because of the presence of vinegar. But it’s not impossible. Again, the acidity of a sauvignon blanc — say the 2006 Rosemount Diamond Label ($10) — or pinot grigio, such as a 2005 Tamas Monterey County (screw cap, $12), are most likely to stand up. The 2006 Martin Codax Albarino Rias Baixas ($15) from Spain world be an intriguing alternative.

The options for sandwiches are similar to those for appetizers. Just about any snappy, fruit-forward wine (red, white or pink) should do nicely. But this is where dry rosés really shine. I suggest looking to southern France, where rosé never went out of style. I recently tasted four excellent ones from Provence.

- Domaine Houchart 2006 ($10)

- Château de Pourcieux 2006 ($11)

- Commanderie de la Bargemone 2006 ($13)

- Domaine de la Sauveuse 2006 (organic, $18)

Of course, grilled and barbecued meats and fish often are the centerpieces of a picnic. Here is where the red wines take center stage. For beef or lamb, cabernet sauvignon is a classic choice but I suggest a Bordeaux-style blend: 2003 Kendall-Jackson Vintner’s Reserve “Meritage” ($12) and 2005 Robert Mondavi Private Selection “Vinetta” ($11). More interesting would be a Sangiovese-based wine like Gabbiano’s 2005 Chianti ($10) and 2004 Chianti Classico ($13) or the 2005 Col d’Orcia “Spezieri” ($13).

Actually, my favorite wines for grilled foods (especially chicken and sausages) and barbecue are zinfandel and syrah. Their jammy fruit, good structure and spice form a beautiful chorus with the smoky, juicy flavors of the grill. These will get you started:

- 2005 Dry Creek Heritage Zinfandel Sonoma County ($16)

- 2005 Rosenblum Zinfandel North Coast ($18)

- 2005 Covey Run “winemaker’s Collection” Syrah ($9)

- 2005 Kendall-Jackson Syrah “Vintner’s Reserve” ($12)

- 2005 Archetype Shiraz Barossa Valley ($15)

- 2004 Marr Syrah Tehama Hills ($19)

Finally, grilled seafood always seems to be less delicate than when cooked in the oven. White wines still work fine, Rosés even better. Best would be Pinot Noir like the 2005 B & G “Bistro Wine” ($9), 2005 Kali Hart Monterey County ($18) or 2005 Tolosa Central Coast ($18) for their earthy, low-tannin character. What are your favorite pairings and suggestions for summer fare? I would welcome your comments and thoughts!